CONNECTICUT LYRIC OPERA - Inspire, Involve, Instill CONNECTICUT LYRIC OPERA - Inspire, Involve, Instill
Performances & Tickets

DIE FLEDERMAUS

Die Fledermaus by Johann Strauss II

Fri., April 18, 8pm
The Garde Arts Center, New London

Fri., April 25, 8pm
Sun., May 4, 7pm
Trinity-on-Main Performance Center, New Britain

Conductor - Adrian Sylveen Mackiewicz
Director - Elizabeth Falke
Chorus Master - Pawel Jura

Eisenstein - Daniel Kamalic
Rosalinde - Sol Kim Bentley
Dr Falke - Chad Karl
Adele - Deanna Swanson
Alfred - Victor Khodadad
Orlofsky - Valerie Nocilosi
Frank - John Swanson
Blind - Skip Wilson
Ida - Carrie Koslofsky
Frosch - Harald Hefel

Die Fledermaus (en.The Bat) was composed by Johann Strauss II to a German libretto by Carl Haffner and Richard Genée. It premièred on April 5, 1874 at the Theater an der Wien in Vienna, Austria.

The Baron von Eisenstein has been committed to prison for eight days for insulting an official, partly through the inefficiency of his attorney, the stuttering Notary Blind, and is to begin his imprisonment this day. His friend, Dr. Falke, however, persuades him to postpone it until the morrow and to accompany him to a ball at the residence of Prince Orlofsky, where he will meet the handsome ladies of the opera ballet. Falke had been at a masked ball the previous winter, costumed as a bat, and had been compelled by Eisenstein to walk to his home in broad daylight to the joy and amusement of the populace. He hopes to find an opportunity for vengeance at the coming ball. Eisenstein accepts the invitation, and telling his wife he is going to prison, and taking a mournful farewell of her and the maid Adèle, hastens with Falke to the ball. After his departure Rosalinde, his wife, is visited by a former admirer, the singing teacher, Alfred, whose behaviour is rather free. The night has set in and Frank, the governor of the prison, has come to take Eisenstein to jail. He finds Alfred taking his ease attired in a smoking jacket, and he, in order not to compromise Rosalinde, moved by her prayers, is induced to represent himself as Eisenstein and to accompany Frank.

Falke, who has received plein pouvoir from Prince Orlofsky, has also invited the governor of the prison, Frank, the maid Adèle, and to complete the joke, Rosalinde, to be his guests at the ball. The latter, in order to observe her husband, appears masked. She is introduced by Falke as an Hungarian countess, and succeeds during an amorous tête-à-tête in abstracting from the pockets of her husband his valuable watch, to use in the future as evidence of his impropriety. Frank has paid court to Adèle, and the next morning they all find themselves in prison, when the confusion increases, for Falke has introduced Eisenstein as Marquis Renard, Frank as Chevalier Chagrin and Adèle as an actress. It is still further increased by the jailer, Frosch, who has profited by the absence of the prison director to become gloriously drunk. Adèle arrives to obtain the assistance of the Chevalier Chagrin, Eisenstein to begin his prison term, Alfred wants to get out of jail, Rosalinde to commence action for divorce, and Frank is still intoxicated. Frosch locks up Adèle and her sister Ida, and the height of the tumult has been reached when Falke arrives with all the guests of the ball and declares the whole as an act of vengeance for the "Fledermaus." Everything is amicably arranged, but Eisenstein is compelled to serve his full term in jail.

Die Fledermaus will be premiered in New London on April 18th at The Garde and repeated in New Britain on April 25th and May 4th at Trinity-on-Main Performance Hall.



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OPERA FACT

All the great operas touch on universal themes of human existence - love, hate, family, faith, the search for self.

Operas such as Verdi's Aida and Gershwin's Porgy and Bess explore issues of race, religion, and class that remain relevant today.


 


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